I met Larry Thomas at a reading three years ago. He taught me about Ekphrastic art. His poem the Tower Blue Horse was based on the
Franz expressionist art and is a symbiotic reaction to the beauty of the piece. To this day he is still one of the few
visiting artists that I keep in touch with (and “The Skin of Light” was one of
my first books.) What fascinates me is how he wholeheartedly accepts ekphrastic
art as an art form rather than forcing his own originality always. Instead his originality is birthed in
artistic paintings of others.
The best ekphrastic poetry can place an image in the
reader’s head of the inspiration even if the reader is unfamiliar with the
inspiration. For example in Rita Dove’s
poem “Golden Oldie”
I made it home early, only to get
stalled in the driveway-swaying
at the wheel like a blind pianist caught in a tune
meant for more than two hands playing.
The words were easy, crooned
by a young girl dying to feel alive, to discover
a pain majestic enough
to live by. I turned the air conditioning off,
leaned back to float on a film of sweat,
and listened to her sentiment:
Baby, where did our love go?-a lament
I greedily took in
without a clue who my lover
might be, or where to start looking.
http://www.poemhunter.com/poem/golden-oldie/
I understood how when the artist heard that song it didn’t
matter how mundane work had been or boring the car ride was in. That song reawakened her and through the poem
it awaked me! I knew that song with out
actually listening to it. Her work
transported me to the car of my lost mother and how she and I would bop to the
40’s on 4 together and get lost like Dove did, in the music.
This is seen in all sorts of art and throughout media. It goes back to the idea of what Walter
Benjamin theorized in aura, it is the affect art can have on the individual.
It has a sense of nearness and authenticity. Once art being something only the minority
hierarchy of society with the advent of modern communication the masses now
have nearness with art and through this we see an explosion of ekphrastic
art. For example not many today would
know what I meant by I could attend the ballet a thousand times to see Peter
Ilyich Tchaikovsky” but if I start to sing the Disney version of “Once Upon a
Dream” everybody could hum Tchaikovsky’s classic tune.
This can also be seen in fiction for example a “Good Scent
from a Strange Mountain”. The story in
itself is a piece of art. But throughout
the story you can see how the narrator, blind man, and wife are all affected by
different genre’s of art. One example is
the wife who is inspired by the blind man touching her face and wrote a
poem. She writes a poem a few times each
year to mark life milestones. The best
example though is the narrator trying to describe the artwork of the cathedral
and than the blind man helping him draw it without sight. It is that place where the narrator gains a
second sight and the readers understand Butler’s goal of looking beyond the
sighted world.
All of my personal art is connected to the ekphrastic
world. I found dark humor in a serious
dramatic piece inspired by The Producers, “Spring Time for Hitler” for example
and created a dark humorous play: Dreamtime
for Hitler that inspires it’s essence but morphs into a different work and
place. I theorize that unless your
inspiration comes strictly from your own perspective of nature every one’s art
will have ekphrastic elements to it. For
example, my brother loves trains and grew inspiration through the graffiti that
was on it. After dancing in the Corps de
Ballet as a youth I can’t ever stop and drool over a Degas. Life imitates art and than we as artist can
imitate both.
This is an example of ekphrastic art. A ballet production
club took a very unique alternative song based on the current issues of homosexuality
and inspired it into a ballet brought into an older world
Than as a principal dancer in the right setting affected me the art turned into a unique short story for me that really went to completely different place again.
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